Units commercial special devices and appliances for playing a play on electric musical instruments
Please note: Manufacturers are required to accept their own brand of electronic equipment for recycling. They are also required to accept one piece of electronic waste of any manufacturer's brand if offered by a consumer with the purchase of electronic equipment covered by the Act of the same type by a consumer. Call ahead before using an electronic waste collection site as the site listed may not accept your particular type or brand of equipment. If the collection site is not affiliated with a manufacturer's acceptance program, you may be charged a fee to recycle your equipment.VIDEO ON THE TOPIC: Wintergatan - Marble Machine (music instrument using 2000 marbles)
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Whether you're setting up your first project studio at home, or even if you have quite a bit of experience in this area, you'll find this long list of home studio equipment will cover just about every type of gear you'll need to consider.
If you don't want to read through all this recording gear then you can skip ahead for a list of basic gear in a couple of example setups for beginners. Below is an overview of this topic, for a more in-depth look, which covers additional microphone characteristics including polar patters and diaphragm sizes, see: The Different Types Of Microphones and Their Uses.
If you're going for a simple set-up where you will only be recording using a microphone or two, instead of recording from gear such as hardware synths or plugging in guitars, then you can get started with USB mics because then you won't need an audio interface. Another good thing about them is that you don't have to worry about phantom power because they take their power directly from the USB connection.
If you're using a tablet like the iPad which can't provide enough power for multiple mics then you'll also need to use a self-powered USB hub. If you intend to be record a lot of vocals then you'll want at least one condenser microphone - these are the mics most often used for recording vocals. Condenser mics are much more sensitive than Dynamic Mics and they require Phantom Power to operate.
They typically respond to higher frequencies and can pick up more subtleties in dynamic range. Although most often used for recording vocals, they can also be employed to capture acoustic instruments such as guitar. These are the work-horse mics of rock and they can take just about any kind of punishment you can dish out. They're not as sensitive as most other mics both in terms of frequency response and dynamic range volume differences , but their ability to withstand very high SPLs Sound Pressure Levels means you can use them on anything from a kick drum through to vocals.
The most famous examples in this category are the Shure SM58 which is used on everything from vocals to instruments, and the Shure SM57 which is usually used on instruments and their amplifiers.
Many of these types of mics can be bought in versions which use cables and as part of a wireless mic system. These were invented in the s and produce a signal based on the velocity of the air that hits the ribbon, rather than the displacement of air as in Dynamic Mics.
This leads to interesting characteristics such as taming harsh sounds and producing a 'vintage tone' that can be found on many recordings from the s and s. Most modern Ribbon Mics use phantom power check before using - phantom power can burn out the ribbon if it's not supposed to be used on a particular mic but they tend to have a greater degree of roll off on the higher frequencies than condenser mics.
If you already have dynamic and condensers then you might like to consider getting a Ribbon Mic to add to your tonal pallet when recording. Royer Labs are the leading manufacturer in this category and they won a Technical Grammy in - their leading model is widely considered to be the Royer Although you can use standard condenser mics on drums, you'll find you get better results with specialty drum mics because they're specifically designed to handle the very high SPLs and specific frequencies of different types of drums.
There are different types of drum mics designed specifically for each piece of percussion in a drum kit, including different types of cymbals, and you can buy a drum mic kit which will give you every thing you need to record acoustic drums. In the studio it's best to go for boom style stands because they're the most versatile and can be used to position your mics accurately to record all kinds of instruments and vocals.
Here's our guide to Mic Stands for Stage and Studio. These are a necessity for recording vocals because they can save you from having to do unnecessary retakes just because the singer popped or breathed directly on the mic causing the input signal to be clipped or distorted. Place a pop filter between the singer and the microphone, just like the picture on the left, and the problem is largely avoided.
Check out our Pop Filter Guide. An important point with new headphones that sometimes gets overlooked is that they need "breaking in".
This is because manufacturers deliberately over tension the speakers for shipment. They need about 12 to 24 hours running at around 80db for the speakers to loosen up to the level that produces the correct frequency response - they will then stay in this correct state for many years.
If you don't do this then you'll probably end up with harsh tones during the first 24 hours of actual running time. Although you generally want to do most of your mix downs using studio monitors , you can get away with using high-end open backed headphones if you don't have monitors. Even with monitors, you may still want to check the mix with headphones to see what it sounds like without the acoustic effects of your mixing room coming into play. Finally, you'll benefit from having a set of Ear Buds to check the final mix because many people listen to music using ear buds with their personal music players and smartphones.
If you're working on a limited budget then the best bet is simply to go with closed back headphones because they are the most versatile with the least amount of spill. In fact the drummer will benefit from the additional low end making it easier for them to hear the bass in their mix. If you have extra money to spend then consider getting a set of semi open back headphones for recording vocals - their improved frequency response can help to get better a performance from the vocalist while not letting too much of the mix spill into the mic.
If you're going for a simple recording set up then you won't really need these because the headphone output from your mixing desk or audio interface will suffice - this is true for most standard consumer headphones. However, if you're going to have multiple people recording simultaneously, and particularly if you're going to be providing different mixes in some of the headphones or you're monitoring with multiple people in a quiet environment, then you will most likely need headphone amps.
If you're using high-end open back headphones which tend to be high impedance, particularly for mixing, then you'll also want to get a headphone amp that will drive them at the correct power level. This helps avoid clipping if you're running the headphone output of your audio interface or mixer too loud just to get the volume you want.
At its simplest a mixer allows you to take multiple incoming signals and mix them together. More complex mixers may have a range of signal processing tools like EQ built in to every channel and have multiple signal routing options such as multiple busses, groups, inserts and direct outputs.
Although your DAW can provide all the functions of a mixer for sound you've already recorded, you will still need one if you want to record simultaneously from more sources than you have channels on your audio interface. For example you might want to record a drum kit with 8 microphones but you only have 2 channels on your audio interface - you will need to send all the mics through a mixer to mix them down to only 2 channels before you send the signals into your interface.
These use hard-wired physical circuitry for carrying, processing and routing all the signals you are mixing. They typically have built-in mic preamps and are often used in conjunction with audio interfaces that only accept line level inputs, or in any situation where the number of signals you are recording simultaneously exceeds the number on inputs on your audio interface see the paragraph above for an example. Although you typically use these the same way as their analog counterparts, most the internal circuitry is 'virtual' running on a computer system inside the hardware.
Once all the processing is done the signal can either be transferred to your computer in a digital format, or converted back to analog necessary for monitors and headphones. Some digital mixers also have ethernet and WiFi networking built in for sending audio data or for remote control by a tablet or laptop. These are expensive pieces of equipment and are generally not needed for basic home recording setups. What they do is take multiple line level inputs and mix them into 2 line level outputs - this is essentially the same as sending multiple channels on an analog mixing desk to a stereo bus.
There are a range of ways they can be utilized with one the most common uses being to send channels from a DAW to an analog summing mixer to produce a stereo output which is then sent back to the DAW. Some audio engineers do this because they don't like the sound of doing summing mixing ITB In The Box and instead prefer the tone of an analog summed mix.
There are huge debates over whether or not summing is a good thing - if you'd like to know more see this discussion. You basically have two main options here - whether to use a computer based system or a digital multitrack system.
By far, most home recording studios, and even most professional ones, choose to go with computers. Given that most musicians already have a computer this is the most cost effective way to go. These are the devices that capture audio, convert it into a digital signal, then transfer it to your computer. They also take the digital audio from your computer and turn it back into an analog signal for playback through your monitors.
Your main considerations in choosing which one to get will be the number of channels you want to record on simultaneously and whether or not it has built-in mic preamps and phantom power - the latter will be determined by the types of microphones you use and whether or not you use a separate mic preamp.
You will also need to consider how many inputs are designed for microphones or instruments depending on what you intend to record. Most of the options on the market today support a minimum of Generally speaking, the more you spend the better quality you'll get.
This is to ensure that what you're hearing is exactly synchronized to the recorded tracks which is vital to ensure the people playing new tracks are in time with the recording. The problem of latency typically arises when your computer lacks the processing power to send the audio out fast enough - this feature is designed to solve that problem. For more information see our guide to the best cheap audio interfaces with 2 channels.
Most home recording systems these days have a PC, Mac, or iPad as the primary recording device with a DAW Digital Audio Workstation as the main software for editing, processing, and mixing the audio. It's quite common in small home studios to record in the same room as your computer, and when they get hot computer fans kick in and can make a lot of noise - this is particularly true with laptops. You can try to keep your computer cool either by using a cool or air-conditioned room you may need to turn the air-con off during recording takes , or you can try a laptop stand.
One important thing to note is that although you can get generic brand CCK devices you really should only get the Apple CCK for recording audio because many people have found in the past that generic ones don't always continue working properly, or at all, when your version of iOS is upgraded.
Android devices are not typically used for recording multitrack music because the Android operating system doesn't provide audio timing guarantees and often produces latency - this may change at some point but there's still no solid indication of when it might happen as of December Although these are not necessary because you can do everything you need to in your DAW with a computer keyboard and mouse, they help make your workflow more efficient.
Software controllers running on tablets can also be a convenient way to remotely control your DAW - this can be particularly useful if you have a separate sound booth and control room but you need to control the DAW while recording on your own. Although these aren't as flexible as using a computer because you can't change your main DAW software, they are extremely reliable and you don't get the problems you sometimes do with trying to get all your software and hardware to work together on a computer based system.
Although they can be more intuitive to use than many computer based systems, they have become less popular over the last few years prompting manufacturers to add features such as making them work as audio interfaces,samplers and DAW controllers, which in turn has made them much more attractive to budget conscious musicians and producers.
Take a look at our guide to The Best Multitrack Recorders. Your studio monitor speakers, sometimes refereed to as reference monitors, are one of the most important pieces of a good home studio.
The main thing you want to look for are ones that provide a flat response across the spectrum of frequencies that humans can hear - this is typically from 20 Hz to 20 kHz.
They are called passive because they don't have amplifiers built into them. Passive monitors were originally the main type of reference speaker used in professional studios. If you choose to go passive then you need to be very careful that you match them with the right kind of amplifiers and crossovers in order to get the flat response you're looking for.
One of the most famous examples was the Yamaha NS Active studio monitors have amplifiers and crossovers built in and are the most common type found in home studios - they are also found in many professional studios these days. They offer a range of benefits including the fact that you don't need to have additional amps or the need to worry about pairing them correctly to the speakers - you can basically take them out of the box and plug them in. Subwoofers do the exact opposite of providing a flat response - they magnify the bottom end.
If you are making special mixes to be used in dance clubs, or for film and television, then you would very likely want to hear how the mix will sound in those settings. Many people also find them quite useful for taking the bottom-end load off their main monitors which helps them to produce a clearer and crisper sound. For more information see our Studio Monitor Subwoofer Guide. Again, these types of multiple speaker systems are typically only needed for producing music that will be played primarily in special settings such as commercial and home theaters.
These are the type of amplifier you need to get if you're using passive studio monitors and they're also sometimes used in studios to power headphones as well. These allow you to take in multiple audio channels and produce personalized mixes for multiple people. These are particularly useful when recording multiple parts simultaneously with different musicians needing to hear a different mix.
Some even come with built in effects. You can use them for instantly switching between multiple monitors and some have additional features for sending different cue mixes to different sets of headphones. Some also include talkback functions so you can speak to the musicians in the sound booth when you have a separate control room. Here we are specifically referring to outboard gear, rather than the signal processing you do inside your computer, and this equipment is typically mounted in racks although some items can be designed to sit on a desktop.
In their simplest form a preamp takes a signal and amplifies it to line level. They can be used for any incoming signal that needs boosting, however their most common use is with microphones.
Many audio interfaces have preamps built in so they're not completely necessary for home studios from a technical point of view, however the story goes much deeper than that
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Electronic musical instrument
An electronic musical instrument is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker , creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch , frequency , or duration of each note. A common user interface is the musical keyboard , which functions similarly to the keyboard on an acoustic piano , except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic keyboard sends a signal to a synth module , computer or other electronic or digital sound generator, which then creates a sound.
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Music technology (electric)
Electric music technology refers to musical instruments and recording devices that use electrical circuits, which are often combined with mechanical technologies. Examples of electric musical instruments include the electro-mechanical electric piano invented in , the electric guitar invented in , the electro-mechanical Hammond organ developed in and the electric bass invented in All of these electric instruments do not produce a sound that is audible by the performer or audience in a performance setting unless they are connected to instrument amplifiers and loudspeaker cabinets , which made them sound loud enough for performers and the audience to hear. Amplifiers and loudspeakers are separate from the instrument in the case of the electric guitar which uses a guitar amplifier , electric bass which uses a bass amplifier and some electric organs which use a Leslie speaker or similar cabinet and most electric pianos.SEE VIDEO BY TOPIC: Top 10 Hardest Instruments to Learn
Whether you're setting up your first project studio at home, or even if you have quite a bit of experience in this area, you'll find this long list of home studio equipment will cover just about every type of gear you'll need to consider. If you don't want to read through all this recording gear then you can skip ahead for a list of basic gear in a couple of example setups for beginners. Below is an overview of this topic, for a more in-depth look, which covers additional microphone characteristics including polar patters and diaphragm sizes, see: The Different Types Of Microphones and Their Uses. If you're going for a simple set-up where you will only be recording using a microphone or two, instead of recording from gear such as hardware synths or plugging in guitars, then you can get started with USB mics because then you won't need an audio interface. Another good thing about them is that you don't have to worry about phantom power because they take their power directly from the USB connection.
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Extensive Home Recording Studio Equipment List
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Николь повернулась и поглядела на свою младшую дочь. Виски ее уже поседели, но глаза оставались столь же чистыми и искрящимися, как и .
Учит его в основном Наи. Эпонина у Бенджи в подружках. В общем ей этим утром было, наверное, хуже. Она-то не сомневалась, что раз уж октопауки легко исцелили ее, проблему Бенджи они решат столь же непринужденно.
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Когда Элли закончила переводить, люди принялись методически разглядывать остальных инопланетян, соседствующих с ними, - не найдется ли еще кто с зелеными пятнышками.
Удостоверившись, что всех остальных инопланетян можно считать безопасными, взрослые несколько расслабились. - А что говорил этот краб.
- спросил Ричард у Арчи, когда транспорт остановился в очередной. - Поза угрозы, - ответил Арчи, - обычная у животных с ограниченным интеллектом. а его усики-антенны издали грубое ругательство, практически лишенное информации. Повозка ехала по улице еще восемь-десять ниллетов, за это время она дважды остановилась, чтобы принять новых пассажиров: полдюжины октопауков и около двадцати созданий, представлявших пять различных видов.
Спросила она, набравшись храбрости. - Ему был объявлен строгий выговор за то, что он не сумел защитить Никки в День Изобилия, - ответила Синий Доктор. - Геркулес получил другое назначение, но оптимизатор, ведавший терминацией, известил его, что из-за просчета в прежней работе отрицательный баланс практически исправить. поэтому Геркулес потребовал немедленной терминации.